Posted By Neil Matsumoto
Way back – oh, let’s say the ’90s – the way to make money from your indie film was not only complicated but also like winning the lottery. After you spent your life savings, as well as accumulated vast amounts of credit card debt, your only hope of ever making a profit from your film
Posted By Neil Matsumoto
Taylor Swift’s #1 single “We are Never Ever Getting Back Together” is the first music video to be shot in true 4K using Sony’s F65 CineAlta™ digital motion picture camera. The video was shot in a day at Sony Pictures Studios and had its world premiere on Aug. 30. The video was directed by Declan Whitebloom
Posted By Neil Matsumoto
At IBC last week, before anyone has got their hands on the red hot Blackmagic Cinema Camera, Blackmagic has already announced a second model. This new model, dubbed the Blackmagic Cinema Camera MFT, contains a passive Micro Four Thirds lens (MTF) mount, which will support any Micro Four Thirds lenses with manual iris and focus
Posted By Neil Matsumoto
Adobe continues its path at being one of the most innovative video post solutions company in the industry. At IBC, they recently announced an exciting new platform – Adobe Anywhere. You probably knew that Cloud Computing was available, but how about Cloud Editing? The new workflow platform allows users of Adobe Premiere Pro, After Effects, and