Posted By Neil Matsumoto
With the introduction of the C300 late last year, Canon raised their flag in the professional motion picture camera space. With the great success of the C300, they have since added the 1D C and C500 – both capable of capturing 4K resolution (4K RAW capture for the C500). But for many indie filmmakers, the
Posted By Neil Matsumoto
In terms of image quality at 1920×1080, there really isn’t much of a difference between the Sony NEX-FS100U and the new FS700U until Sony issues the firmware upgrade that will allow 4K capture for the FS700U. But for me, the one feature that greatly separates the two cameras is the ability to capture Super Slow
Posted By Neil Matsumoto
At Sundance 2011, The Story Beyond the Still made its debut. Launched by Canon and still photographer/filmmaker Vincent Laforet, the project was a collaboartion between a number of filmmakers who created short films using Canon EOS DSLRs, inspired by a still frame from a Laforet short. Shortly after, Canon teamed with Oscar® winning director/producer Ron Howard
Posted By Neil Matsumoto
Sony has been keeping me very busy as of late. A few weeks ago, they announced a new update to the very popular EX1 – the PMW-200, a 4:2:2 50Mbps handheld XDCAM camcorder. A few months back, I reviewed the NEX-FS100U, a full HD camcorder with a Super35mm-sized sensor with an E-mount and just a