Posted By Neil Matsumoto
As the world of stills and motion pictures continues to merge, we’ve seen a number of mirrorless cameras, aka DSLMs (Digital Single Lens Mirrorless), released in the past year. For motion picture shooting, a DSLM system offers many advanges over traditional DSLRs such as a smaller form factor due to fewer parts, faster auto focus
Posted By Clint Milby
Kessler & Crew Defy the Laws of Physics at TimeFest 2011 What started as a gathering of like minded filmmakers in the high desert of Northern California has turned into a
Tags: Carson Garner, Clint Milby, Dustin Kukuk, eric kessler, F9 Photo, Time Fest, time lapse, TimeEscape, Timefest, TimeScapes, Tom Lowe, Vincent Laforet
Posted By Neil Matsumoto
Right before its launch at IBC in Amsterdam this weekend, Sony Electronics debuted its new flagship CineAlta high-def camera – the F65. Just on specs alone, the camera will set a new standard for high-end digital cinema camera systems. The F65 delivers true 4K resolution at 4025 x 2160 and can output 16-bit Linear RAW
Posted By Neil Matsumoto
The backlash against Final Cut Pro X amongst the professional community is still going strong. If you haven’t heard, since its release, professional editors and post-production facilities have been railing against Apple’s new NLE system non-stop, charging that FCP X is more like iMovie Pro rather than an update of Final Cut Pro 7. But
